A Practical Hitty Newsletter Tutorial

Make an Edith Flack Ackey Dollhouse Companion
by Sara DeGroat Cole

The pattern and directions in this tutorial are intended to serve as a companion/supplement to the dollmaking directions in Edith Flack Ackley's Dolls to Make for Fun and Profit, a famous and readily-available dollmaking book, with directions that nevertheless can be difficult and cryptic for the modern dollmaker. This project may not make sense on its own, but should clarify and expand on some of EFA's original methods and patterns.

DTMFFAP is still protected under copyright, and while other of EFA's patterns and books are no longer protected, it can be very difficult to determine which are in the public domain, so I am not reproducing any of EFA's original materials on this page. I am providing my own adapted EFA-type Dollhouse Doll pattern for a six-inch doll to get you started on this project, and you can visit my EFA Galleries on Sara Cole Studios to see many inspiring pictures of miniature Ackley-types I have created.

It may be possible to create your own EFA-style dolls just with these patterns, directions, and pictures, so if it seems like a fun, one-time project, knock yourself out! But if you find you're really interested in Edith Flack Ackley dolls, or don't understand the directions, I STRONGLY recommend you obtain a copy of Dolls To Make For Fun and Profit, or consider studying other of EFA's patterns, such as "To Greet a Little Girl" or "For a Little Girl's Christmas." You will need a true EFA book or pattern if you'd like to dress your dollhouse EFA in a miniaturized version of EFA's original clothing designs. On the other hand, you can create your own clothing patterns based on the EFA 'look' as it appears in my picture galleries. Creating your own new patterns to make miniaturized Ackley-type clothes may actually be easier than using her real patterns, shrunken-down! Remember that EFA always encouraged dollmakers to do their OWN thing, so try using our traditional EFA pattern as a base and create your own original ragdoll companion, or consult DTMFFAP or EFA's other books and patterns for many doll variations.


Edith Flack Ackley Companion Doll and Clothing

Printable Pattern Page:
EFA-Type Dollhouse Doll

Remember: always read all directions before getting started!

EFA's dollhouse dolls in DTMFFAP tend to be much simpler versions of her full-size dolls. In this project, we are endeavoring to make a miniaturized, dollhouse/Hitty-size version of a traditional EFA doll, with all the details of the full-size dolls, like slender limbs and removable clothes. I always try my best to make each doll a perfect miniature replica of a full-sized EFA doll.

For the doll's body, the "Little Girl Doll" dollhouse doll pattern in Dolls to Make For Fun and Profit is easiest, since EFA designed it as a miniature doll. For the look of the larger dolls, I use a shrunken version of the "Little Girl Doll" or "Large Doll" pattern from the same, or a shrunken version of the doll body in "To Greet a Little Girl." Over time I have adapted these into my own Ackley-type miniature pattern, which makes about a 6-inch doll.

Start with 200-thread count unbleached muslin. I've tried to make some of these dolls with lower-count muslin and it is much harder, even if the muslin is very good quality. I just can't keep the tiny threads from popping out at the places where I clip the curves. I recommend using the best muslin you can find. Highest-quality muslin can be expensive, but you need very little for these dolls. Use unbleached muslin, and you can tea-dye it with ordinary black tea or coffee, longer for darker skin tones, shorter for lighter. If the fabric is not the shade you want when it's dry, you can always toss it back in for more, or try a stronger dye such as RIT. The fabric color will appear much lighter on your finished doll than it did when it was just fabric. I recommend using very tiny needles for the miniature sewing in this project. I use a size 12.

Trace the doll outline onto your fabric with a water-soluble pen or light pencil. Because I stuff the dolls fairly hard, the pencil tends to show at the seams, even if I try to stitch inside the outline, but pencil can be used if you're careful. EFA recommended pencil.

Stitch the outline of your doll using a very low stitch length on the machine-- a 1 on my machine. It should be about 25 stitches per inch. I walk the machine around the neck, hands, feet, armpits and crotch to make sure the stitching is perfect. After sewing around once, reinforce the neck, armpits, and crotch by sewing right on top of the first seam, about 1/2 inch on either side of the curve. I do not leave an opening at the side of the doll at this time, as is recommended in the original patterns.

Rinse the doll to remove the outline (if you've used water-soluble pen), and let it dry. Then treat the fabric around the outside of the outline with Dritz Fray check. I know there are several other good fray-stopping substances you could try. I like Dritz because it's inexpensive and readily available in my area at Wal-Mart and JoAnns, and it's quite strong. If you prefer, you can use watered-down tacky or white glue, just make sure it doesn't soak beyond the stitchline over onto the doll. Most fray-check substances will be invisible if they accidentally spread too much outside the seam, but glue will show. If you do it carefully, though, glue can be the strongest option.

After the fray check dries, cut around the outside of the doll, leaving about a 3/16 seam allowance, but cutting closer around the hands and feet to make turning possible. Clip the curves at the neck, wrists, ankles, armpits, and crotch. Clip in to either corner between the legs, and under the arms if they're constructed that way, to make the squarish look you see on the EFAs. I cut about 1/8-inch above the line at the top of the head, just in case the top opening gets frayed a little bit in turning and stuffing.

When ready to turn, I use my seam ripper to pick out some of the stitches at the side to make an opening. This may seem like a pain, but I think it's worth it because by sewing the seam and fray-checking it, and then picking it back out again, it leaves tiny holes in the fabric where the original seam was, which serves as a perfect guideline of where to sew when stitching the opening back up. Start the opening well below the armpit so as not to ruin the curve in the armpit; don't worry if the opening goes down on to the side of the leg a bit. It helps to have this opening when turning the doll right-side out, so if you don't wish to create the opening at this stage, remember to leave the side opening in your original stitching.

T he seams have to be cut close to the hands and feet for turning. To turn right-side out, you can start by using tweezers to poke part of the hand or foot toward the inside, and then pushed it right-side out with a chopstick or knitting needle. My preferred method on all of my dolls is to I use a hemostat I ordered from Gail Wilson. You have to be very gentle even with the hemostat because it take some force to turn. Alternatively, you can use Edith Flack Ackley's traditional method to turn each limb with a darning needle and crochet cotton. Thread the needle with the cotton and knot the end. Insert the needle in through the toe, hand, or shoulder, through the inside, and out through the opening, then tug the string very slowly and gently to draw the piece right side out. The drawback to this method is that it can create holes in the tips of the doll's hands or feet where the fabric is distressed.

When the doll is right-side out, begin by stuffing the feet up to the knees. EFA recommended stuffing dolls with hospital cotton, which is most readily available to us today in the form of cotton balls. Consult DTMFFAP for more details on stuffing with cotton. Cotton is most authentic and will make a very interesting hard, light doll. High quality polyester or wool stuffing can be used for more ease of stitching for hair and features, but your doll will be softer compared to a traditional EFA. Leave the ankles a bit floppy to make them easier fold up to stitch into feet later. Stuff up to the knees, then hand-stitch the joints at the knees. After stitching each knee joint, run the thread down through the leg to stitch the foot. To make the foot, bend the ankle around a darning needle, to help push the extra fabric out of the way and make a neat fold. Then blanket-stitch, just two stitches, straight across and back again. I do this several times until it is very tight, and make the tiniest knot I can to finish it off.

Then, if you have left the side opening open partly down onto the leg, begin stitching that closed with a blanket stitch, stitching directly in the seam-holes that are already there from the picked-out seam. Stitch the side opening closed up to the crotch level, then leave the needle and thread dangling. Stuff the thighs from the knees up to the level of the hip joint, and using a second needle and thread hand-stitched the hip joints. Cut off the second needle and thread when finished with the hip joints, but still leave the first dangling, as the opening is not finished yet.

Stuff the arms next. Insert the stuffing up through the side opening, but put your stuffing-stick or hemostat down through the head and neck to stuff it down into the arms. After stuffing the arms up to the shoulders, hand-stitch the shoulder joints with a separate needle and thread. Then stuff the body, firmly, but not so much that it is hard to close the side opening. When the stuffing is finished, stitch up the side opening with the needle and thread that is still attached to it, again using a blanket stitch exactly in the holes of the original machine-stitched seam. Remove the needle and thread when the side opening is done.

Continue to stuff the doll down through the neck, a little at a time, to make the body firm. At some point in stuffing the body and head, I insert half of a plastic q-tip, with the cotton part in the head. I used bits of wooden dowel on my earlier dolls, but liked the plastic-shaft q-tip better on later ones. The q-tips are strong enough to stiffen the neck but harmless if they were to come out of the doll. Continue stuffing the body and head up to the top. I try to stuff very firmly, but not to make the head too round. The flatter EFAs look more authentic to me, and the EFA design is a pancake doll. Most of EFAs basic body design will round out nicely, but if the head is made too round it can cause a kind of stretched groove extending up through the face on either side where the head meets the neck. Best to keep it flattish!

After stuffing, clip off any extra fabric that was left on the top of the head, and stitch it shut. Start in the middle and worked out to one corner, then go back to the middle and stitched from there out to the other corner. It is easier to get the top of the head even that way, than stitching from one side to the other.

Now you're ready to make your EFA's features. Many people like to embroider these, but they can be beautiful in ink, paint, etc. I study pictures in Dolls to Make for Fun and Profit as well as vintage EFAs in pictures and my collection, to design my traditional, authentic EFA faces. EFA recommends free-handing the features, and I agree. In embroidery it is easy to pick out features and redo them if you don't like how they turn out, but if you have penciled them in it will be hard to redo them if you want to try something different.

I do use colored pins to mark where I want to place the features. This helps me to space the eyes properly, and get the nose and mouth right in the center. This also gives a vague impression of how the features will look. I leave the pins right in as I embroider, pulling them out only when I am starting that particular feature. I use a single thread of cotton embroidery floss, a size 12 needle, and I literally count the threads in the fabric, as with counted cross-stitch, to get the features to be perfect and even. The knots from the embroidery are hidden on the upper back of the head.

Before doing the hair, I blush the cheeks. I start with acrylic paint in crimson, and water it down until it is basically pink water. I put a tiny spot on each cheek, and then blended the edges with water. Go lightly on this-you can always add more later, but acrylics won't come out when they're dry. She can also be blushed with regular makeup blush if it is a delicate color.

For the hair, there are many wonderful, traditional EFA hairstyles to try, but use either embroidery floss or something equally tiny. For dollhouse EFAs one skein of embroidery floss will be more than enough. One skein will make thick, waist-length hair, so less will be needed for most styles. It is fun to use embroidery floss to match her eyebrows, and you can add an extra dimension to her hair by mixing strands of similarly-colored floss. Wool roving can make beautiful hair, and can be dyed black or brunette with RIT dye or red or blonde with yellow onion skins. Unfortunately coffee and tea will not produce colors dark enough for most dolls' hair.

Now it's time for the outfit. For the underclothes, I use shrunk-down the patterns for "The Little Girl Doll" from Dolls to Make for Fun and Profit. You might be able to do this on your scanner or on a photocopier. I made the underclothes out of vintage hankies with lace already on them. I used a string to tie the panties, and a Lucite doll button and knotted thread loop to close the underskirt. I treated all seams on the underclothes for fraying. When doing the waistband on the underskirt, I follow all EFA's instructions in DTMFFAP except that when turning the waistband around to the inside, I do not fold the raw edge under. Instead, I treat the raw edge and leave it a single thickness to avoid bulk.

For the dress, I also shrink down the "Little Girl Doll" patterns. Once again, to shrink the doll dress patterns you might be able to use the computer, or a copy machine. Make sure you shrink all pieces by the same amount, so that they match well. Check the bodice pattern against your dollhouse doll and be sure the armhole is deep enough for her. This area can vary in EFA patterns and the dimensions of a shrunk-down version of her larger patterns, for doll or clothing, can be quite different from her dollhouse-doll patterns. You can either make the bodice a bit bigger, proportionately, or try redrawing it or stretching it a bit vertically, to make it fit. The sleeve and skirt are gathered to fit the bodice so you have some leeway.

Use a single thickness of muslin for the collar, and treat the edge. You may like to starch the collar. Use 100% cotton fabrics in calicos or checks for the dress, or search for some authentic vintage fabrics like dotted swiss. Quilter's fabric is pretty good for these dresses and comes in great patterns, but don't get anything heavy. If you have something lighter than quilter's cotton print fabrics, it may work better. Once all the pattern pieces are cut out, treat the outside edge of each piece before you sew. You can't afford to lose the slightest bit of these tiny pieces to fraying.

Follow the original directions for the dress in DTMFFAP, except that with the sleeve cuff and with the collar bias, do not fold the raw edge under on the inside. I treat it for fraying and leave it a single thickness to avoid bulk. I used a backstitch for the collar bias, and a running stitch, hidden in the puckers of the gathered sleeve, for the inside of the sleeve cuff. You may need to adjust the skirt length to your liking, depending on your pattern choice.

The most important thing in doing the dress is that you must go slowly and carefully. It's very hard to make this dress with pins. I baste nearly every seam by hand before sewing on the machine, and everything goes smoothly. Often, especially when machine-stitching tiny seams, I start in the middle and sew out to one side, then turn it around, start in the middle again, and sew out to the other side. This is much easier than starting at the edge on a tiny seam. Treating the pieces for fraying before you start will also help stiffen the edges a bit to make them easier to sew.

On most seams I treat them again with fray check after the dress is sewn, and then cut them quite narrow, about 1/8 inch or smaller.

For the apron, again use the "Little Girl Doll" pattern pieces. Use light fabric or vintage hankies for these. Fastened the back with ribbon or string. Another nice EFA apron pattern is found in the "To Greet a Little Girl" pattern.

Paint the shoes last, with acrylic paints. I paint the socks white, and then paint mary-janes over top. Use the paint quite thick right out of the tube, so it won't soak into the fabric. A fabric painting medium to mix with your acrylic paint may come in handy here. Try gluing real lace around the top of your painted socks, or create tiny real felt shoes for her to wear over her painted socks!

Don't forget to name your new Edith Flack Ackley dollhouse doll, and introduce her to your Hitty!

(c)2006 Sara DeGroat Cole, SCH
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