The pattern and directions
in this tutorial are intended to serve as a companion/supplement to
the dollmaking directions in Edith Flack Ackley's Dolls to Make
for Fun and Profit, a famous and readily-available dollmaking book,
with directions that nevertheless can be difficult and cryptic for the
modern dollmaker. This project may not make sense on its own, but should
clarify and expand on some of EFA's original methods and patterns.
DTMFFAP is still protected under
copyright, and while other of EFA's patterns and books are no longer
protected, it can be very difficult to determine which are in the public
domain, so I am not reproducing any of EFA's original materials on this
page. I am providing my own adapted
EFA-type Dollhouse Doll pattern for a six-inch doll to get you started
on this project, and you can visit my EFA
Galleries on Sara Cole Studios
to see many inspiring pictures of miniature Ackley-types I have created.
It may be possible to create your own EFA-style dolls just with these
patterns, directions, and pictures, so if it seems like a fun, one-time
project, knock yourself out! But if you find you're really interested
in Edith Flack Ackley dolls, or don't understand the directions, I STRONGLY
recommend you obtain a copy of Dolls To Make For Fun and Profit,
or consider studying other of EFA's patterns, such as "To Greet
a Little Girl" or "For a Little Girl's Christmas." You
will need a true EFA book or pattern if you'd like to dress your dollhouse
EFA in a miniaturized version of EFA's original clothing designs. On
the other hand, you can create your own clothing patterns based on the
EFA 'look' as it appears in my picture galleries. Creating your own
new patterns to make miniaturized Ackley-type clothes may actually be
easier than using her real patterns, shrunken-down! Remember that EFA
always encouraged dollmakers to do their OWN thing, so try using our
traditional EFA pattern as a base and create your own original ragdoll
companion, or consult DTMFFAP or EFA's other books and patterns
for many doll variations.
Edith Flack
Ackley Companion Doll and Clothing
Printable Pattern Page:
EFA-Type Dollhouse
Doll
Remember: always
read all directions before getting started!
EFA's dollhouse dolls in DTMFFAP tend
to be much simpler versions of her full-size dolls. In this project,
we are endeavoring to make a miniaturized, dollhouse/Hitty-size version
of a traditional EFA doll, with all the details of the full-size dolls,
like slender limbs and removable clothes. I always try my best to make
each doll a perfect miniature replica of a full-sized EFA doll.
For the doll's body, the "Little Girl Doll" dollhouse doll
pattern in Dolls to Make For Fun and Profit is easiest, since
EFA designed it as a miniature doll. For the look of the larger dolls,
I use a shrunken version of the "Little Girl Doll" or "Large
Doll" pattern from the same, or a shrunken version of the doll
body in "To Greet a Little Girl." Over time I have adapted
these into my own Ackley-type miniature pattern, which makes about a
6-inch doll.
Start with 200-thread count unbleached muslin. I've tried to make some
of these dolls with lower-count muslin and it is much harder, even if
the muslin is very good quality. I just can't keep the tiny threads
from popping out at the places where I clip the curves. I recommend
using the best muslin you can find. Highest-quality muslin can be expensive,
but you need very little for these dolls. Use unbleached muslin, and
you can tea-dye it with ordinary black tea or coffee, longer for darker
skin tones, shorter for lighter. If the fabric is not the shade you
want when it's dry, you can always toss it back in for more, or try
a stronger dye such as RIT. The fabric color will appear much lighter
on your finished doll than it did when it was just fabric. I recommend
using very tiny needles for the miniature sewing in this project. I
use a size 12.
Trace the doll outline onto your fabric with a water-soluble pen or
light pencil. Because I stuff the dolls fairly hard, the pencil tends
to show at the seams, even if I try to stitch inside the outline, but
pencil can be used if you're careful. EFA recommended pencil.
Stitch the outline of your doll using a very low stitch length on the
machine-- a 1 on my machine. It should be about 25 stitches per inch.
I walk the machine around the neck, hands, feet, armpits and crotch
to make sure the stitching is perfect. After sewing around once, reinforce
the neck, armpits, and crotch by sewing right on top of the first seam,
about 1/2 inch on either side of the curve. I do not leave an opening
at the side of the doll at this time, as is recommended in the original
patterns.
Rinse the doll to remove the outline (if you've used water-soluble pen),
and let it dry. Then treat the fabric around the outside of the outline
with Dritz Fray check. I know there are several other good fray-stopping
substances you could try. I like Dritz because it's inexpensive and
readily available in my area at Wal-Mart and JoAnns, and it's quite
strong. If you prefer, you can use watered-down tacky or white glue,
just make sure it doesn't soak beyond the stitchline over onto the doll.
Most fray-check substances will be invisible if they accidentally spread
too much outside the seam, but glue will show. If you do it carefully,
though, glue can be the strongest option.
After the fray check dries, cut around the outside of the doll, leaving
about a 3/16 seam allowance, but cutting closer around the hands and
feet to make turning possible. Clip the curves at the neck, wrists,
ankles, armpits, and crotch. Clip in to either corner between the legs,
and under the arms if they're constructed that way, to make the squarish
look you see on the EFAs. I cut about 1/8-inch above the line at the
top of the head, just in case the top opening gets frayed a little bit
in turning and stuffing.
When ready to turn, I use my seam ripper to pick out some of the stitches
at the side to make an opening. This may seem like a pain, but I think
it's worth it because by sewing the seam and fray-checking it, and then
picking it back out again, it leaves tiny holes in the fabric where
the original seam was, which serves as a perfect guideline of where
to sew when stitching the opening back up. Start the opening well below
the armpit so as not to ruin the curve in the armpit; don't worry if
the opening goes down on to the side of the leg a bit. It helps to have
this opening when turning the doll right-side out, so if you don't wish
to create the opening at this stage, remember to leave the side opening
in your original stitching.
T he seams have to be cut close to the hands and feet for turning. To
turn right-side out, you can start by using tweezers to poke part of
the hand or foot toward the inside, and then pushed it right-side out
with a chopstick or knitting needle. My preferred method on all of my
dolls is to I use a hemostat I ordered from Gail Wilson. You have to
be very gentle even with the hemostat because it take some force to
turn. Alternatively, you can use Edith Flack Ackley's traditional method
to turn each limb with a darning needle and crochet cotton. Thread the
needle with the cotton and knot the end. Insert the needle in through
the toe, hand, or shoulder, through the inside, and out through the
opening, then tug the string very slowly and gently to draw the piece
right side out. The drawback to this method is that it can create holes
in the tips of the doll's hands or feet where the fabric is distressed.
When the doll is right-side out, begin by stuffing the feet up to the
knees. EFA recommended stuffing dolls with hospital cotton, which is
most readily available to us today in the form of cotton balls. Consult
DTMFFAP for more details on stuffing with cotton. Cotton is
most authentic and will make a very interesting hard, light doll. High
quality polyester or wool stuffing can be used for more ease of stitching
for hair and features, but your doll will be softer compared to a traditional
EFA. Leave the ankles a bit floppy to make them easier fold up to stitch
into feet later. Stuff up to the knees, then hand-stitch the joints
at the knees. After stitching each knee joint, run the thread down through
the leg to stitch the foot. To make the foot, bend the ankle around
a darning needle, to help push the extra fabric out of the way and make
a neat fold. Then blanket-stitch, just two stitches, straight across
and back again. I do this several times until it is very tight, and
make the tiniest knot I can to finish it off.
Then, if you have left the side opening open partly down onto the leg,
begin stitching that closed with a blanket stitch, stitching directly
in the seam-holes that are already there from the picked-out seam. Stitch
the side opening closed up to the crotch level, then leave the needle
and thread dangling. Stuff the thighs from the knees up to the level
of the hip joint, and using a second needle and thread hand-stitched
the hip joints. Cut off the second needle and thread when finished with
the hip joints, but still leave the first dangling, as the opening is
not finished yet.
Stuff the arms next. Insert the stuffing up through the side opening,
but put your stuffing-stick or hemostat down through the head and neck
to stuff it down into the arms. After stuffing the arms up to the shoulders,
hand-stitch the shoulder joints with a separate needle and thread. Then
stuff the body, firmly, but not so much that it is hard to close the
side opening. When the stuffing is finished, stitch up the side opening
with the needle and thread that is still attached to it, again using
a blanket stitch exactly in the holes of the original machine-stitched
seam. Remove the needle and thread when the side opening is done.
Continue to stuff the doll down through the neck, a little at a time,
to make the body firm. At some point in stuffing the body and head,
I insert half of a plastic q-tip, with the cotton part in the head.
I used bits of wooden dowel on my earlier dolls, but liked the plastic-shaft
q-tip better on later ones. The q-tips are strong enough to stiffen
the neck but harmless if they were to come out of the doll. Continue
stuffing the body and head up to the top. I try to stuff very firmly,
but not to make the head too round. The flatter EFAs look more authentic
to me, and the EFA design is a pancake doll. Most of EFAs basic body
design will round out nicely, but if the head is made too round it can
cause a kind of stretched groove extending up through the face on either
side where the head meets the neck. Best to keep it flattish!
After stuffing, clip off any extra fabric that was left on the top of
the head, and stitch it shut. Start in the middle and worked out to
one corner, then go back to the middle and stitched from there out to
the other corner. It is easier to get the top of the head even that
way, than stitching from one side to the other.
Now you're ready to make your EFA's features. Many people
like to embroider these, but they can be beautiful in ink, paint, etc.
I study pictures in Dolls to Make for Fun and Profit as well
as vintage EFAs in pictures and my collection, to design my traditional,
authentic EFA faces. EFA recommends free-handing the features, and I agree.
In embroidery it is easy to pick out features and redo them if you don't
like how they turn out, but if you have penciled them in it will be hard
to redo them if you want to try something different.
I do use colored pins to mark where I want to place the
features. This helps me to space the eyes properly, and get the nose and
mouth right in the center. This also gives a vague impression of how the
features will look. I leave the pins right in as I embroider, pulling
them out only when I am starting that particular feature. I use a single
thread of cotton embroidery floss, a size 12 needle, and I literally count
the threads in the fabric, as with counted cross-stitch, to get the features
to be perfect and even. The knots from the embroidery are hidden on the
upper back of the head.
Before doing the hair, I blush the cheeks. I start with
acrylic paint in crimson, and water it down until it is basically pink
water. I put a tiny spot on each cheek, and then blended the edges with
water. Go lightly on this-you can always add more later, but acrylics
won't come out when they're dry. She can also be blushed with regular
makeup blush if it is a delicate color.
For the hair, there are many wonderful, traditional EFA
hairstyles to try, but use either embroidery floss or something equally
tiny. For dollhouse EFAs one skein of embroidery floss will be more than
enough. One skein will make thick, waist-length hair, so less will be
needed for most styles. It is fun to use embroidery floss to match her
eyebrows, and you can add an extra dimension to her hair by mixing strands
of similarly-colored floss. Wool roving can make beautiful hair, and can
be dyed black or brunette with RIT dye or red or blonde with yellow onion
skins. Unfortunately coffee and tea will not produce colors dark enough
for most dolls' hair.
Now it's time for the outfit. For the underclothes, I use shrunk-down
the patterns for "The Little Girl Doll" from Dolls to Make
for Fun and Profit. You might be able to do this on your scanner
or on a photocopier. I made the underclothes out of vintage hankies with
lace already on them. I used a string to tie the panties, and a Lucite
doll button and knotted thread loop to close the underskirt. I treated
all seams on the underclothes for fraying. When doing the waistband on
the underskirt, I follow all EFA's instructions in DTMFFAP except that
when turning the waistband around to the inside, I do not fold the raw
edge under. Instead, I treat the raw edge and leave it a single thickness
to avoid bulk.
For the dress, I also shrink down the "Little Girl
Doll" patterns. Once again, to shrink the doll dress patterns you
might be able to use the computer, or a copy machine. Make sure you shrink
all pieces by the same amount, so that they match well. Check the bodice
pattern against your dollhouse doll and be sure the armhole is deep enough
for her. This area can vary in EFA patterns and the dimensions of a shrunk-down
version of her larger patterns, for doll or clothing, can be quite different
from her dollhouse-doll patterns. You can either make the bodice a bit
bigger, proportionately, or try redrawing it or stretching it a bit vertically,
to make it fit. The sleeve and skirt are gathered to fit the bodice so
you have some leeway.
Use a single thickness of muslin for the collar, and treat
the edge. You may like to starch the collar. Use 100% cotton fabrics in
calicos or checks for the dress, or search for some authentic vintage
fabrics like dotted swiss. Quilter's fabric is pretty good for these dresses
and comes in great patterns, but don't get anything heavy. If you have
something lighter than quilter's cotton print fabrics, it may work better.
Once all the pattern pieces are cut out, treat the outside edge of each
piece before you sew. You can't afford to lose the slightest bit of these
tiny pieces to fraying.
Follow the original directions for the dress in DTMFFAP,
except that with the sleeve cuff and with the collar bias, do not fold
the raw edge under on the inside. I treat it for fraying and leave it
a single thickness to avoid bulk. I used a backstitch for the collar bias,
and a running stitch, hidden in the puckers of the gathered sleeve, for
the inside of the sleeve cuff. You may need to adjust the skirt length
to your liking, depending on your pattern choice.
The most important thing in doing the dress is that you
must go slowly and carefully. It's very hard to make this dress with pins.
I baste nearly every seam by hand before sewing on the machine, and everything
goes smoothly. Often, especially when machine-stitching tiny seams, I
start in the middle and sew out to one side, then turn it around, start
in the middle again, and sew out to the other side. This is much easier
than starting at the edge on a tiny seam. Treating the pieces for fraying
before you start will also help stiffen the edges a bit to make them easier
to sew.
On most seams I treat them again with fray check after the
dress is sewn, and then cut them quite narrow, about 1/8 inch or smaller.
For the apron, again use the "Little Girl Doll"
pattern pieces. Use light fabric or vintage hankies for these. Fastened
the back with ribbon or string. Another nice EFA apron pattern is found
in the "To Greet a Little Girl" pattern.
Paint the shoes last, with acrylic paints. I paint the socks
white, and then paint mary-janes over top. Use the paint quite thick right
out of the tube, so it won't soak into the fabric. A fabric painting medium
to mix with your acrylic paint may come in handy here. Try gluing real
lace around the top of your painted socks, or create tiny real felt shoes
for her to wear over her painted socks!
Don't forget to name your new Edith Flack Ackley dollhouse
doll, and introduce her to your Hitty!
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